Hillgentleman

'''Fuge''' (Italian: ''chase''), or in an form older, '''ricercar''' (Italian: ''to seek'') is a type of counterpoint, a form of composition of music, in which several lines melodic (''voices'') imitate and intertwine each other in displaced time, yet forming a unity harmonic. Compared to the canon, its less rigid form allows composers flexibility and freedom to express and develop. The fuge reached maturity in the hands of Johann Sebastian Bach, in his 48 and in his work final ''Die Kunst der Fuge'', and since then has been integrated into the heart of many compositions musical, an example being the climatic second choral section in the fourth movement in the nineth symphony of Beethoven.

 

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